The sweeping love song ‘Tu Hi Re’, sung by Hariharan and Kavita Krishnamurthy – and composed by AR Rahman, the man behind the music of ‘Slumdog Millionaire’ and ‘127 Hours’ – soundtracks a moment of pure passion between the film’s central couple. What sets ‘Satya’ apart from other gangster films is the realistic portrayal of the criminals’ daily lives and Varma’s unrestrained, gloomy treatment of the subject. Cast: Salman Khan, Katrina Kaif, Ranvir Shorey. Dit betekent dat Zalando.nl als webshop is gecertificeerd door de Stichting Certificering Thuiswinkel Waarborg. Throw in a couple of fake mums, the boss’s daughter who is in love with the other ‘brother’, a drunk Keshto Mukherjee and screenwriter Rahi Masoom Raza’s memorable lines, and this is a comedy for all seasons. Six years earlier, Dutt made ‘Kaagaz Ke Phool’, in which he played a director who falls in love with a film actress (played by Rehman). Apart from the performances, the film is memorable for Salil Chowdhury’s score. Varun Grover (born 26 January 1980) is an Indian stand-up comic, writer and poet. Karisma Kapoor plays the doe-eyed princess to perfection, and Khalid Mohamed, son of actress Zubeida Begum, wrote the script, based on the tragic life story of his own mother. Like his earlier classic ‘Amar Akbar Anthony’ (1977), this is Bollywood kitsch at its best. Varun Grover (born 26 January 1980) is an Indian stand-up comic, writer and poet. ‘Lagaan’ is, thus far, the last mainstream Hindi film to be nominated for Best Foreign Language Film at the Oscars. When engineer Ranjeev (Shashi Kapoor) hears the religious songs sung by ‘ugly’ village belle Rupa (Aman), he is convinced her face will be as beautiful as her voice. But for all its flaws, this is no-holds-barred epic filmmaking with a moving soundtrack. The big sceneDuring the song ‘Tanhayee’, the Melbourne skyline whizzes by Aamir Khan, who is far from home and desolate after learning about the marriage of his lover to another man. Will the lovers be reunited and will ‘respectable society’ accept them? Cast: Prithviraj Kapoor, Raj Kapoor, Nargis. Then star Aamir Khan took the lead role and its critical and box office success ushered in a new era of alternative subject matter and varied storytelling. The quintessential Bollywood crime film, ‘Parinda’ tells of street-kid brothers Kishen (Shroff) and Karan (Kapoor). But it’s also groundbreaking for its sexual explicitness, including wet kisses. Sanjay (Aamir Khan) is a leading Indian businessman, while Kalpana (Asin), a model, brags to everyone that she is Sanjay’s girl even though they’ve never met. In London, Raj (Khan) is an immature young man, while straight-laced Simran (Kajol) is all set for a marriage arranged by her domineering father. Desai’s frequent use of two-second shots and close-ups whips the proceedings along. The big sceneWhen Vijay ‘returns from the dead’ at his own memorial. Writer-director Mira Nair had lived and studied in the US for several years by the time she returned to India to make her eye-opening drama about a young boy, Krishna (Syed) falling deeper and deeper into trouble in the big city. Look out for your first newsletter in your inbox soon! Sat on a park bench, Rahul asks Rohan questions about things they had talked about when Rohan was just a kid. Thirty-five-year-old Amitabh Bachchan, the film’s star, defied his Angry Young Man image – created by a string of sombre action dramas – with his largely comical role. Lead actor and director Raj Kapoor modelled his on-screen persona in ‘Shree 420’ and other films after Charlie Chaplin’s Little Tramp. Director Yash Chopra’s clever handling of the story, which offers a distinctly female perspective on troubled love, makes ‘Chandni’ rise way above the pack. Sounds like a tall task. The threat of a visit from Gabbar Singh has been used by parents to get kids to bed on time ever since. Cast: Emran Hashmi, Kangana Ranaut, Shiney Ahuja. Outrageously, Bachchan persuaded his actress wife, Jaya, to come out of retirement to play his screen wife and his alleged mistress, Rekha, to act in this silly film as his screen mistress. The big sceneRahul and Rohan reunite after several years. The late composer Madan Mohan and Lata Mangeshkar’s tunes achieve lyrical perfection. The cons are very original and the scale of the film extravagantly ambitious. Here he plays Raj, who comes to Bombay to earn a living and falls in love with Vidya (Nargis). The big sceneWell-meaning pickpocketing; a submarine; the nature-versus-nurture debate; and a villain’s lair with its own lava pit… ‘Parvarish’ has it all. The film succeeds in making us all witnesses to its horrors – and complicit in them when, like so many of the characters, we say nothing. © 2021 Time Out England Limited and affiliated companies owned by Time Out Group Plc. These blockbusters play like the Bollywood ‘Black Panther’. The film follows the journey of Insia (Wasim), a teenager who dreams of escaping her abusive father and becoming a singer. The big sceneIn front of a huge crowd, Ram saves the life of his younger brother, who’s about to fall to his death from the roof of the university. ‘Main Hoon Na’ exists in a knowingly meta world where global superstar Shah Rukh Khan involuntarily bursts into song every time Miss Universe (Sen) glides by. Shot with great sensitivity and innovation by Guru Dutt’s main man VK Murthy, ‘Sahib Bibi Aur Ghulam’ is a more romantic twin to Satyajit Ray’s ‘Jalsaghar’. Cast: Aamir Khan, Monica Dogra, Prateik Babbar. Heard that somewhere before? Directed by Neeraj Ghaywan. Cast: Anil Kapoor, Madhuri Dixit, Anupam Kher. ‘Satya’ was among a slew of gangster films that hit screens in the late ’90s, and director Ram Gopal Varma has lately come to be associated with the genre. The big sceneBachchan berates another cop for being a puppet of the establishment – it’s exactly the kind of monologue we’ve come to associate with the actor over the years. The big sceneThe accusatory song on piano – ‘Dost dost na raha’ (‘Friend did not remain a friend’) – is one of a kind in Hindi cinema (a man berating another man for trying to steal his woman), and the most intense point of the film. Geet won’t stop talking, and Aditya wants nothing more than to be left alone. In the present day, Om is now a superstar out to exact revenge on Mehra, now settled in Hollywood. A love story about star-crossed lovers from different faiths who elope to Bombay to start a family, it proved so controversial on its release in 1995 that director Mani Ratnam’s house was bombed by extremists. While sticking to the underdog-overcomes-obstacles template, Amin and Sahni deftly weave in themes of cultural diversity, religious difference and feminism. The big sceneThe entire film is a series of highlights, including a boxing match, a glass mansion on fire and a climactic song with the three heroes and their girls dressed as characters including matadors, Cossacks and Chaplin. Director MS Sathyu, a Marxist activist, created a heart-wrenching tale of innocent lives torn apart by hatred and suspicion. The big sceneThe epic climax, in which all the characters become part of a staging of Mahabharata, is widely considered to be the best comic scene ever shot in a Hindi film. The big sceneWhen the lovers reunite in a Pakistani courtroom after being apart for over two decades. Evoking ‘Mother India’ with its story of a good son pitched against a bad one and a mother caught between them, ‘Deewaar’ places an anti-hero centrestage. In this popular comedy, a nonsensical plot about a botched kidnapping and phone calls going to the wrong number is balanced by some fine acting from lead actors Kumar, Shetty and Rawal. The big sceneShambhu, now pulling a rickshaw in Calcutta, is urged by a stranger to chase down another rickshaw carrying the man’s girlfriend, in exchange for money. How meta is that? Cast: Shah Rukh Khan, Gayatri Joshi, Kishori Balal. Rich Hindu adolescent lad Raja (Kapoor) falls for Bobby (Kapadia), the 16-year-old granddaughter of his Goan Catholic nanny. The big sceneA 12-minute medley of songs from other films. His style was at its most organic and daring in ‘Devdas’. The big sceneThe songs are all knockouts, but ‘Baithe Hain Kya Uske Paas’, with the actress Helen shimmying on a bar in feathers, zebra print and spangled red fishnets, proves that more is indeed more. Khan plays the iconic Chulbul Pandey, a corrupt cop in north India who goes after politicians and gangsters and refers to himself as ‘Robin Hood’ Pandey. Anand’s positive outlook on life and his playful demeanour is a lesson for those around him, even as Bhaskar, a more serious man, struggles with his inability to reverse Anand’s medical condition. Strong heroines and stories of female ambition are still fairly rare in Hindi movies, and it’s impossible not to cheer for the determined Michelle as she stumbles in the shadows. Yash Chopra’s most romantic movie is a superior Bollywood soap dealing with intergenerational love, personal sacrifices and secrets and lies in the lives of two middle-class Delhi families. The film focuses on Bhargav’s struggles with his country of birth, its inhabitants and his own identity. Bollywood’s most successful modern franchise features stylish villains on the run from a lovable yet inept duo: policeman Dixit (Bachchan) and Ali (Chopra), a thief whose help he seeks out. He is the fourth generation of the Kapoor family to star in Hindi movies. Arun is an unconfident man who fantasises about wooing Prabha (Sinha). He is taken under the wing of a fun-loving colonel (Kumar), who helps young men overcome their shortcomings. The big sceneThe song sequence ‘Waqt Ne Kiya Kya Haseen Sitam’, stunningly shot by cinematographer VK Murthy, sees Dutt and Rehman’s characters regretting the decisions they’ve made in life. It’s widely considered to be one of Indian cinema’s most romantic scenes. The poem is written by Akhtar’s screenwriter father, Javed (‘Sholay’, ‘Deewar’). The film tells of Satya (Chakravarty), who is unwittingly sucked into the world of Mumbai crime. There’s Rahul (Khan), who does not understand how two people can fall in love. When Sanjay discovers this, he decides to confront her but soon falls in love. Cast: Raj Kapoor, Simi Garewal, Rishi Kapoor. However, Kalpana falls foul of a local crime lord and Sanjay is determined to avenge her death… ‘Ghajini’ was an enormous hit in India. Writer-director Vikas Bahl displays a strong flair for capturing human behaviour and peppers a simple story with lovable characters and witty lines. The big sceneWhen Salim sees the exposed feet of the sleeping, covered Sahibjaan, he is immediately smitten. interested in Muslim people and culture) became a blockbuster in Hindu-centric India. This musical romance and box-office hit explores the love lives of dancers in a musical troupe. Statistiques et évolution des crimes et délits enregistrés auprès des services de police et gendarmerie en France entre 2012 à 2019 25 Hindi films in 10 years. The carefully crafted period setting captivated viewers and critics on its release, and the story was told again in 2006, this time with Aishwarya Rai in the title role. The big sceneWhen Prem and Suman attend a party and their boy-girl friendship is mocked, Prem stands up for Suman’s honour and they fall in love. Its surprise success outside India – especially in the USSR, Africa, China, Greece and the West Indies – was directly responsible for introducing the world to mainstream Hindi cinema. This story of real-life Mughal emperor Akbar (Roshan) and his Hindu wife Jodhaa (Bachchan) doesn’t exactly follow the facts. Filmmaker Sachin Kundalkar took one of three parallel stories he previously told in the 2009 Marathi-language film ‘Gandha’ and turned it into a madcap Hindi comedy with fantasy elements. PornoTube en francais ‘In the cricket of life, there’s no draw.’, Cast: Dev Anand, Ashok Kumar, Vyjayanthimala, Tanuja. Writer-director Abhinav Kashyap paid tribute to 1970s Hindi cinema with this entertaining action movie that gave actor Salman Khan’s stardom a boost, and revived the masala genre in a major way (not entirely a good thing). Obviously. It’s an unapologetically bitter and stylish revenge story about an honest cop, Vijay (Bachchan), who has been haunted since childhood by nightmares about his father’s murder by a stranger – but all that’s known about the killer is that he wore a bracelet with a white stallion charm. Nair cast real street children, something that Danny Boyle would later do for ‘Slumdog Millionaire’, and the film’s strength is that it observes and illuminates but does not judge – we’re given more than enough room to make up our own minds on the issues raised by the film. So far, so Bollywood, but ‘Maine Pyar Kiya’ managed simultaneously to kickstart megastar Salman Khan’s career, cement director Sooraj Barjatya’s box-office clout and redefine romance and friendship in Bollywood in a way that wasn’t bettered for years. The big sceneAs the friends do Pamplona’s bull run – in slow motion – there’s a voiceover of Akhtar’s character, Imraan, reciting a poem about being free. Chandramukhi falls in love with a broken Devdas, but he can’t think of anything beyond Paro, alcohol and death. The big sceneDevi and her gang attack a wedding party in search of recompense for the horrors she suffered in her youth. This drama about a deaf-mute woman, Michelle (Mukerji), and her struggle through education was loosely inspired by the true story of Helen Keller. Years later, Raj’s brother Rohan (Roshan) strives to bring the family together. Translated as ‘You only live once’, this buddy-meets-mid-life-crisis movie sees three friends take a road trip in Spain: Arjun (Roshan) is a workaholic; Imraan (Farhan Akhtar) wants to track down his biological father; and Kabir (Deol) is unsure about his upcoming wedding. Kapoor’s unnamed character moves from one part of the building to another, coming across several people, all of whom hide murky secrets. The six-minute scene is said to have inspired Danny Boyle when he made ‘Slumdog Millionaire’. Great supporting acts by Siddiqui and Chatterjee and a late twist make ‘Kahaani’ extremely watchable. ‘Omkara’ is one of Bhardwaj’s three adaptations of Shakespeare for Hindi cinema: 2003’s ‘Maqbool’ interpreted ‘Macbeth’, while 2014’s ‘Haider’ did the same for ‘Hamlet’. Surprisingly, our Film Companion curators – Anupama Chopra, Baradwaj Rangan, Rahul Desai, Mohini Chaudhuri and Sankhayan Ghosh – readily agreed on a majority of the picks. Its main characters, Devdas (Khan) and Paro (Rai), are childhood lovers, but class differences and difficult parents cause them to separate. The big sceneThe three characters enter a villain’s den in disguise to rescue their respective loves, at the same time singing the film’s title track, each of their names signifying the religion in which each was raised – Hinduism, Islam and Christianity. 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